‘Calder’ Paintings in 3D from Shkelzen Kernaja on Vimeo.
I have explored Alexander Calder painting's and I chose 4 of his art work and created into 3D.
Music Credits:
Boards of Canada – An Eagle Has THe Right To Children
Software used:
Cinema 4d R12
After Effect
Zombirama – Trailer from ZOMBIRAMA on Vimeo.
ZOMBIRAMA
(7 min. Argentina)
A film by:
Ariel López V. – Nano Benayón
Produced by:
Caramba Estudio
zombirama@caramba.com.ar
CREDITS
Director: Buck
Creative Director: Orion Tait
Executive Producer: Anne Skopas
Producer: Billy Mack
Production Coordinator: Ann Seymour
Design: Gareth O’Brien
Lead Animation: Gareth O’Brien
Sound Design: Penny Lane Audio
Music: Bullet
Agency: SS+K
Producer: Lizzie Shook
Copywriter: Paul Spelman
Art Director: Jessica Stewart
CCO: Kash Sree
from the tutorial description: Today’s tutorial will show how to quickly and easily create a tunnel effect using Mettle’s FreeForm Pro. You’ll be able to deform it, stretch it, change its texture, and much, much more. The best part is that even with lots going on, you’ll still find the render time is surprisingly fast!
The Candyfloss Kid writes: Found this ye olde video lurking on my hardrive explaining the practical working difference between the expand tool and the extrude tool when brush sculpting in 3dCoat’s Voxel surface mode. Hopefully this may help you if you’re new to 3DCoat or like me suffer from “Toolitus” i.e the inability to remember what tools are for. Recording it certainly helped me remember 
Eugene Opperman writes: Hi friends, today’s a quick tutorial, but shows a very important feature inside Cinema 4D – Spline Projection. Take a look and I’m sure you’ll know instantly how you can use this technique in your future projects. I encourage you all to experiment with Cinema 4D and click on things you wouldn’t normally click on, it can lead you down a new path in your 3D work and can really accellerate your growth! If you have any questions, or requests for future tutorials, please contact me through the contact page on my wesbite musecreative.net and I’ll gladly assist you!
Dave Girard writes: The basic reasoning behind using a reflector card is that it gives more interesting reflections and bounces light back on objects without creating additional lights, which some people like to use but I find unneeded and just adds to render times. I’ve art directed a lot of product photo shoots and 60% of the time at a shoot is just watching the photographer move white cards and gobos to create the most interesting reflections and refractions
from the tutorial description: In today’s tutorial we’ll be recreating the “Climbing the Billboard Charts” effect similar to the effect used at the beginning of “Get Him to the Greek”.
