School of Motion’s Joey Korenman compares the techniques and workflow needed to make a chromatic aberration effects in both After Effects and Nuke, and strives to make an attempt as to why Nuke is better suited for creating look development and straight up compositing tasks.
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Looking at ways for creating Chromatic Aberration Cyril Kotecky shows some methods for creating Chromatic Aberration in After Effects, placing the finishing touches on a composition with Standard After Effects tools as well as a Third Party resource.
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