Silverwing covered the basics to get you understanding and started with a 32-bit EXR workflow with Octane, C4D, and Ae. You don’t need a 32-bit workflow, but it does solve a lot of problems if
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Daniel Danielsson covers sampling basics and how to get rid of grain in Arnold renders strategically. When it comes to rendering, it’s rare to hit the render button and call it a day. There is
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You And Me Academy has a look into creating a shadow catcher in Cinema 4D Redshift. One of the most critical passes might be a shadow pass. You can render shadows on a separate image
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Five31 shows how to isolate a dome light passthrough to Redshift AOVs and Light Groups. When working with compositing, AOVs are something that you need to get a handle on. If you work with Redshift in
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