Malcolm Andrieshyn Explains Best Practices for Mipmaps and Texture Padding in Autodesk Maya. If you work in Maya, you might already be familiar with the Mipmap filter settings that are available for image textures. If
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Academic Phoenix Plus Offers a Primer for Working With Arnold Color Jitter to Randomize Colors on Multiple Objects. Most production renderers will offer a host of utility nodes that are useful for getting work done
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Malcolm Andrieshyn Covers What Texel Density is and How to Use it. Creating UVs is an integral part of the 3D pipeline. The process itself leaves a lot of users with questions as to how
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MaxDepth Posts a Look at Creating SubSurface Materials in Vray for Creature Work. Timothy Hanson, also known as MaxDepth, posts an excerpt from his new premium course, Advanced Texturing: Creature Painting covers tools like Zbrush,
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