CGMA’s 8-Week Course focuses on Film-Quality Destruction Effects With Houdini. Use Houdini and create astounding effects for films. In addition to teaching you in-depth technical working knowledge of Houdini fractures & rigid body simulations, this
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Academic Phoenix Covers Working With aiTwoSided to Create Two-Sided Materials in Arnold Render. Two-sided materials often are used when you need to have different materials for both sides of a flat object. Usually used when
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Never Guess Again About Path Tangents Handles Thanks to Paul Conigliaro’s Script. How frustrating is it to manage the curves of position path tangents in After Effects? You are not alone. If you’ve ever set
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Athanasios Pozantzis Shows How Effectors Can Apply and Control MoGraph Material Channels. How does one control more than one material attribute in a clone? Have you ever wanted to control various material channels, such as
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TipTut’s Matthew Fryer Shows an Easy Way to Create a Magnifying Effect, Using the Magnify Effect. After Effects has a lot of obscure effects that feel like they were with the app since the beginning.
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Joe Clay Shows How to Link Paths on Different Layers Using a Slider. Shape Layers and paths are amazingly powerful in After Effects. Still, users look for new ways to simplify the process. One method,
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AJ Haines Shows a Few Ways to Lock Objects to Prevent From Accidentally Moving an Object Ever Again. Likely the majority of us have accidentally moved an object that we didn’t want to actually move.
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Equiloud Works With Volumetric Lights and Subsurface Materials for a Creative C4D Piece. Adding to what almost seems like a barrage of Redshift Volumetric Lights tutorials, is a new one from Uwe Schweer-Lambers (Equiloud) who
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Rohan Dalvi Shows How to Create A Procedural Terrain With Controls for Rivers, and Trees. Working with terrain elements can be fun. Working with terrain elements in Side Effects Houdini can create a system over
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Junichiro Horikawa Shows How You Can Implement an Iterative Function System in Houdini to Create Fractals. Fractals can produce some striking images. They also have a place in workflow and animation in the 3D world,
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Damon Lavenski Shows an Iterative Process Using nCloth to Drive Chain Mail Created by a MASH Network. Maya’s motion graphics toolkit, MASH recently included the ability to work with dynamics, adding bullet physics to the
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Brian Horgan’s Local Nudge Tool is a Handy Way to Make Precise Adjustments. Quite often when I show new Maya users that they can nudge elements using the keyboard, they seem a lot happier. Some
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