Christophe Desse Shares Ways to Get Substance Painter Over to Redshift and Arnold Shaders in Maya. You have a spectacularly painted asset that you’ve created with Substance Painter, and now comes the time to get
CONTINUE READING
Liam Clisham Shows How to Create and Work With Object Passes With Cryptomatte Using C4D, Fusion and After Effects. Are you working with Object IDs and Compositing? Cryptomatte is a life saver when it comes
CONTINUE READING
MerkVilson Takes a Detailed Look Into the Redshift Volume Object for Spectacular Smoke and Fire Renders. Tutorial author and tools creator MerkVilson shares some insights into creating amazing looking fire and smoke renders using Cinema
CONTINUE READING
Saul Espinosa Covers Working With the New Cryptomatte Feature Added to Redshift Renderer Recently. Cryptomatte has exploded since its inception, and rightfully so. Who doesn’t want a way to create ID mattes automatically? The matte
CONTINUE READING
