Markus Gonser shows how you can make artwork using only spheres and X-Particles (plus Octane) in C4D. “Lots of 3D-Artists start with shiny spheres,” Gosner writes. For the most part, that is true. If you
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Rohan Dalvi shows how you can texture terrains using UV Randomization with Houdini and Octane. One of the challenges of shading terrain is preventing repeating patterns in your work. Rather than struggling with massive files,
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Travis Davids shows how you can create a chipped procedural material perfect for showing damage details. It’s fun to create damage manually by painting. Yet, using procedural techniques allows for a more flexible workflow. Many
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Silverwing covered the basics to get you understanding and started with a 32-bit EXR workflow with Octane, C4D, and Ae. You don’t need a 32-bit workflow, but it does solve a lot of problems if
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