Johnny Fehr offers some insights on the new ACES default in Redshift.
A new version of Redshift Renderer sees ACES colorspace and workflow as the new default. This new tutorial from Johnny Fehr covers working with ACES color space in Redshift, and in this case, under Maya 2022.
Fehr’s last tutorial showed off how to set the IDTs, or Input Display Transforms when you are color-correcting incoming files in Maya. ACES is rapidly becoming the defacto standard for color workflow for artists.